Painted and designed the cover artwork for the Major Lazer remix of Mr Eazi's "Leg Over" ft. French Montana and Ty Dolla $ign. Also animated the artwork for the official youtube visualizer.
Concepted and designed the official key art for the 2022 Aqua Teen Hunger Force movie "Aqua Teen Forever: Plantasm" for Adult Swim and Warner Brothers Home Entertainment. Illustration by Mariano Mattos (@marianomattosart)
Art Direction: Brandon Lively, Jacob Escobedo, Elyse Salazar
Designed and illustrated the artwork for this Wrangler x Rick and Morty collab crewneck.
AD Trey Wadsworth.
All images owned by Wrangler.
Illustrated the official single and playlist cover artwork for Rick and Morty Season 6.
Art Direction: Brandon Lively and Elyse Salazar
Illustrated the typography for Lyanno’s single “No Tienes Que Apretar”.
A character pattern illustration I created for HBO Max and Adult Swim. It is currently the Adult Swim hub background on HBO Max. It has also been used on merchandise.
Art Direction: Brandon Lively and Jacob Escobedo
Handled Design and Print Production for Diplo’s “California” EP. Art Direction by Elena Flores and Prez Rodrigieuz. Art by February James. Front and back cover type features UV spot printing.
Designed and illustrated the artwork for this Wrangler x Rick and Morty collab denim jacket.
AD Trey Wadsworth.
All images owned by Wrangler.
Billboard for Adult Swim OOH Perms that ended up going viral on social media, garnering 6 million impressions on Twitter alone.
A consumer products design I created for Rick and Morty used by H&M. All photographs belong to H&M.
Illustrated and designed the official Rick and Morty + Hot Wheels Pop Culture set.
Art Direction by Brandon Lively.
Illustration created for Rick and Morty consumer products during the 2021 12 Days of Rickmas campaign.
Illustration I created for Adult Swim Festival 2023, used as a screenprinted T-shirt design.
AD: Brandon Lively, Elyse Salazar
Illustration created for Rick and Morty consumer products during the 2021 12 Days of Rickmas campaign.
Illustrated owl and logo for this Adult Swim branded candle.
Handled all graphic design for Adult Swim series Teenage Euthanasia Season One promo, including branding an ice cream truck hearse experience, OOH marketing, enamel pins, etc.
Art Direction - Brandon Lively
Stunt execution - Hitch Experiential
*I do not own all hearse and ice cream packaging images.
Official merch I designed for Adult Swim’s 2020 Festival.
Original illustrations by Jim Stoten and additional design by Stuart Golley.
Official Rick and Morty™ consumer product designs.
TM & © Cartoon Network.
Die cut vinyl picture disc that I designed for Poppy with PVC sleeve & foil sticker. There is a song on each side, the first featuring Diplo.
Designed 2XLP Marbeled Vinyl, Urban Outfitters Exclusive Colored Vinyl, CD, Tapestry, and prayer candle for Poppy’s AM I A GIRL? album. Buying as a bundle allows you to create your own Poppy shrine ;)
Designed and illustrated the key art for the 2021 12 Days of Rickmas campaign. Designs were used on air, on HBOMax and on social.
AD: Trey Wadsworth
Playlist template concept I created for Mad Decent’s sublabel Good Enuff.
A few of the billboards I’ve designed in the LA area for Mad Decent.
Official Mad Decent promo imagery for Major Lazer's 'Sua Cara' music video release.
Album art concept for Sebastian Paul. I made this by photographing a mixed media collage I made. No post editing.
Designed entire car graphic wrap & tire typography branded with visual elements from FKi 1ST's EP "Good Gas" for the official Mad Decent, 2 Chainz, A$AP Ferg, and FKi 1ST youtube visualizer for "How I Feel". Motion design by Dennis Sengthong.
2018
Inspired by Rico Nasty
Western themed Diplo promo post. Inspo came from retro, corny (but amazing) country artist shirts.
Acrylic Ink, edited in Photoshop.
2016
Content created for an internship with Moogfest 2016, an art, music, and technology festival located in Durham, NC.
In this internship I worked directly with the lead designer to produce a wide range of content for the festival including digital and physical wayfinding signage, posters, banners, social media graphics, and everything inbetween. I designed every item displayed here, but there is more content I designed that is not shown. I am not responsible for the overall branding used within these graphics.
January - May 2016
Designed the vinyl for Sebastian Paul’s Trojan Horse album. (Did not create the original meteor C4D render)
Designed a bundle for FKi 1st featuring a shirt, lighter, grinder, and rolling papers branded to fit his album art for ‘Good Gas Vol. 1‘. Also designed the set for product shots & did the photography.
Social media promo concepts for Mad Decent artist FKi 1st.
FKi 1st describes his sound as "Atlanta trap that goes left" and "genre-less", these graphic styles aim to reflect that by capitalizing on visual trends in the industry, but skewing them slightly to create something new and unique, similar to the way that FKi combines popular elements of multiple genres to develop a fresh sound.
Collage art has risen back as a popular trend for album artwork in hip-hop and other genres, as demonstrated on Migo's recent "Culture" album cover as well as Anderson Paak's "Malibu" album artwork. The visuals here could easily stand alone as one-off art pieces for Fki 1st to use as promotional content, or more beneficially, could be used to create a larger visual system that could span across multiple media platforms.
The style demonstrated in this gif is inspired by the dark, almost surrealist style applied to some of Fki 1st recent visuals such as his "For What It's Worth" video and the "First Time for Everything" album artwork. The glitchy, dark style lets the audience know that his sound is unique before they hear the music.
2017
Dallas themed artwork I made for Fki 1st, G.U.N & 10k.Caash. (I did not draw the bear)
Created overall branding deck and different branding elements for Poppy as a signed artist under Mad Decent.
Single artwork I made for Valentino Khan and Kayzo.
Kid Cudi 'Man On the Moon: The End of Day' Art Direction Overhaul
This project aims to more accurately represent Kid Cudi's sound by redesigning the visuals associated with his 2009 debut album, ‘Man On the Moon: The End of Day’.
Why these visuals instead?
By pulling inspiration for this aesthetic style directly from Kid Cudi’s sound, as opposed to a stereotype of what his sound should be perceived as given the genre he was marketed under, this style (hopefully) more accurately represents Kid Cudi’s artistic persona and is more reflective of the album's mood.
By breaking down Cudi’s complex sound into areas of recognizable inspiration such as rock influences heard in guitar riffs, prominent discussion of mental illness, and his use of technology to distort sounds, I was able to make informed design decisions that are reflective of the album, without having direct access to him as a reference.
What's the meaning behind it?
The main concept for this visual system was distortion of reality, in relation to Kid Cudi’s unique, often manipulated perception of reality felt and discussed in his music.
Struggles with mental health, self-medicating drug habits, and the very tactile sense of physical space created through the way Kid Cudi mixes his music all give the listener a sense that they are experiencing a new or alternative perception of the world through his music.
Other influences collected from his sound that informed this visual system include:
Rock - lead to grunge/gothic visual elements seen in merchandise
Continuous Allusions to Being an Outcast/From Outer Space - lead to the use of old NASA footage
‘Alternative’ Sound Elements - lead to use of pastel color palette based on aesthetic trends in that genre
Depression - lead to the use of nightmarish, demonic distortions of reality
2017
Visual exploration for senior capstone project.
2017
Requested by Noisey (Vice) Canada for their first Graphic Novel. https://noisey.vice.com/en_ca/article/6ixpocalypse-now-what-would-happen-to-canada-if-drake-disappeared
October 2016
Requested by Noisey (Vice) Canada.